![]() He was funny, witty, and had a unique sense of humor! The ragtime performers would pick the time slot they wanted to play and Frank would keep track of this list. He and Frank Mehl were at The Big Tent all day, every day of the Festival. In the early 1980s, the Festival was ONE HUGE TENT at the actual Maple Leaf Club site. He served as organist and choir director at several churches throughout his career.īill was devoted to the Scott Joplin Ragtime Foundation and especially to the Festival itself. He taught in Kansas and Missouri for many years until his retirement. Bill graduated from UMKC in 1970 where he was a member of the Swinging Choraliers, a performance group that made frequent USO tours abroad. William Robert Long, 73, of Lee’s Summit, formerly of Sedalia, died Friday, July 16, 2021. To view Syncopated Saturday Night 7 on YouTube, copy or click this link:įor more information on Dalton Ridenhour: įor more information about Bryan Wright: Syncopated Saturday Night | Scott Joplin Ragtime Foundation | PO Box 1244 | Sedalia, MO 65302 Links to tip on-line using a credit card are shown with the YouTube or Facebook posts….or you can do so by clicking u HERE. ![]() While the SJIRF has provided each performer with a small stipend for their time and talent, any ‘tips’ you can offer will be greatly appreciated by the artists. We invite you to tune in Saturday, Decemat 8:15 PM (eastern) time to view performances by Paul Orsi and Dalton Ridenhour, along with SJIRF Artistic Director, Bryan Wright who serves as MC. The Scott Joplin International Ragtime Foundation (SJIRF) presents its Seventh YouTube Concert (SSN7) to support artists with limited live music options due to the pandemic. To view Syncopated Saturday Night 8 on YouTube, copy or click this link: Syncopated Saturday Night | Scott Joplin Ragtime Foundation Links to tip on-line using a credit card are shown with the YouTube or Facebook posts….or you can do so by clicking: We invite you to tune in Saturday, April 23 at 9PM (eastern) time to view performances by Morten Gunnar Larsen from Oslo, Norway and Bill McNally (Texas) along with SJIRF Artistic Director, Bryan Wright (Pittsburgh, PA) who serves as MC. Despite such flashes of value, this is a slapdash effort, and one would be curious to know the copyright status of the only slightly altered logo from the film Ragtime (1981) that appears on the cover of the tin.The Scott Joplin International Ragtime Foundation (SJIRF) presents its Eighth YouTube Concert (SSN8) to support artists with limited live music options due to Covid 19. This was Joplin's very first published composition, and an advantage to the large selection of rags heard here is the inclusion of a group of early Joplin pieces (such as the sentimental A Picture of Her Face, a song here heard instrumentally) that are hard to find elsewhere. And the title of the Great Crush Collision march is given as Great Rush Collision. In the Stoptime Rag (CD 2, track 1), where Joplin clearly indicates the player should stamp one foot all the way through, the foot-stamping is heard only during the music's silences. Euphonic Sounds (CD 1, track 10) is usually taken on the mellow side, but the vigorous performance here actually works satisfactorily. On the other hand, the performer(s) miss the lyricism of works like the Gladiolus Rag (CD 3, track 6) and the tango Solace (CD 1, track 9). But all are straightforward, rather stolid performances that keep the tempo moderate there aren't any novelty piano or jazz performances, which is to the good. Some of the rags are played as notated (which is what Joplin specified), some with small ornaments (which is how he actually played them himself), and some with alterations in melody and voice leading (not desirable). At least two pianos are used, and probably more, although it's hard to tell whether some of the rampant sonic shifts might be due to engineering alterations. That's true of the performances, as well, which seem to have originated in several different times and places. So this collection, which originates in Quebec, is something of a random thing. These depict Southern musical scenes, and they're actually very inventive even if not terribly appropriate to the Missourian and urban-oriented Joplin. The metal box and cardboard CD insert are illustrated by one Hambone, described as a Creole Choctaw artist several postcards bearing his work are also included. No booklet is included, and the performer is not even credited, nor are any performers, for there seem to be more than one. It's hard to know what to make of the appearance of a three-disc set of Scott Joplin rags in a series of "music tins," most of which are directed at children.
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